Lieut. Gerald Caldwell Siordet, 13th Rifle Brigade, was a talented artist and a poet. His privately printed book contains a photograph of himself, his poetry and artwork. Two of his poems were published in The Times using the name Gerald Caldwell .
The autograph book of Nursing Sister E. Cooke, nursing sister of 56 Gen. Hospital is filled with the artwork of her patients. It contains drawings and water-colours done for her as well as a portrait of Sister Cooke herself. Some chose to escape completely by painting seascapes and sailboats. Others drew scenes from the front, such as a telephone call for help made while under fire and a tank on the road near Ypres. A number of soldiers chose to draw their regimental badges.
The autograph book of B.M. Ivison contains unsigned as well as signed artwork. Ivison was held at Holtzminden Prison Camp There are several pencil drawings of aeroplanes (including a Sopwith and one with a pilot) and drawings and cartoons. One cartoon depicts a soldier growing old in captivity with the caption “The Umpteenth Year”. Case studies of life as a prisoner of war appear under the theme The Soldier’s Life.
William Newsam McClean, Royal Engineers, either drew or had given to him several pen and ink cartoon drawings depicting military personnel, including Germans, with humorous captions. There is also a pencil drawing of trench boards which is inscribed to him.
William Bailey who served with the 2/15th Battalion, London Regiment kept three pieces of artwork done by Sgt. Boddy. A watercolour “Our Bivouac on the Vardar Salonica” and a pencil sketch of a soldier, were both done in 1917. There is also a sketch titled “His First Look” done in the trenches by Sgt. Boddy in 1916.
Artwork which cannot be definitely attributed to military personnel can be found in the themes Representing War: propaganda, posters, pamphlets, music, artwork and memorials and Life at Sea. Other artwork appears in the case study Pigeon Post to Lewis Gun; Cavalry Charge to Mark VIII Tank: Evolving Technology in World War I.
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