Coat

See all Letters (alphabetical by creator)

Letter from Nelson Ball to Carlos [Reyes], 10 September 1967
Formula letter for Association of Canadian Bookmen, completed by Thomas Allen, 1937
Letter from [David Lobdell] to Marie-Claire Blais, 30 April 1990
Letter from Patrick Anderson to Jack McClelland (M&S) re publication of The Colour as Naked, 1953
Letter from Irene Baird to Hugh Eayrs (Macmillan Co. of Canada), 5 November 1939, re publicity for Waste Heritage
Form letter announcement from Nelson Ball of Weed Flower Press, [1974], re cessation of operation
Letter from Pierre Berton to Larry Ritchie (McClelland & Stewart), 12 June 1975, royalties
Letter from Pierre Berton to Joe Boudreau, 11 April 1977, re television series
Letter from T. S. Linscott (Bradley-Garretson Co.) to Mr. Brown, 15 May 1915, re recruitment
Letter from George P. Brett (The Macmillan Company, New York) to Frank Wise (Macmillan Co. of Canada), 4 April 1912, re Morang
Letter from Ruth M. Buck to Patrick Crean (McClelland & Stewart), 9 December 1972, re Voices of the Plains Cree title
Letter from Ruth M. Buck to Patrick Crean (McClelland & Stewart), 4 July 1973, re Voices of the Plains Cree
Letter from Ruth M. Buck to Patrick Crean (McClelland & Stewart), 4 January 1974, re Voices of the Plains Cree
Letter from Ruth M. Buck to Patrick Crean (McClelland & Stewart), 2 October 1973, re Voices of the Plains Cree
Letter from Alan Crawley to [John] Gray, 20 March 1953, re Contemporary Verse
Letter from Robertson Davies to Douglas Gibson (Macmillan Company of Canada), 14 January 1976, re pirated ed. of Fifth business
Letter from Robertson Davies to Linda McKnight (Macmillan Company of Canada), 22 July 1988, re publicity
Letter from [Hugh Eayrs] (Macmillan Co. of Canada) to Irene Baird, 13 November 1939, re censorship of Waste Heritage
Letter from Hugh Eayrs (Macmillan Co. of Canada) to Bennett Cerf (Random House), 21 Nov. 1939, re censorship of Waste Heritage
Letter from Hugh Eayrs (Macmillan Company of Canada) to Irene Baird, 6 November 1939, re subversive readings of Waste Heritage